Tony
Harrison, who likes alliteration even if you don't, is 80 today. He is far and away Britain’s
most important living poet.
I spent Thursday-Friday at the British Academy, convening a celebration of his work, which caught the attention of the Guardian. His committed, radical voice, which swerves between joyous mischief-making and snarling despair at human cruelty, has reached far beyond the inward-looking Poetry Establishment. His life has affected yours whether you know it or not.
I spent Thursday-Friday at the British Academy, convening a celebration of his work, which caught the attention of the Guardian. His committed, radical voice, which swerves between joyous mischief-making and snarling despair at human cruelty, has reached far beyond the inward-looking Poetry Establishment. His life has affected yours whether you know it or not.
Harrison Fan Andy Burnham |
Over these two days, Lee
Hall said that he could not have made Billy
Elliot without Harrison’s example. Simon
Armitage said that his own approach to poetry and the possibility of fusing
literary sophistication with everyday experience were direct results of his
youthful encounters with Harrison’s work. Andy Burnham said that he would
never have gone into politics if he hadn’t read Harrison as an undergraduate.
The Story Harrison's Artistic Example Underlies |
Blake
Morrison beautifully dissected Tony’s revolutionising of the English sonnet. Jo
Balmer showed how he has transformed approaches to translation from classical languages globally. Peter
Symes illustrated how he had pushed the boundaries of what is possible
artistically on TV further than any other person.
Sian Thomas in Harrison's Fram |
Theatre
superstars Vanessa Redgrave, Jasper Britton, Sian Thomas and Barrie Rutter
performed his verse with gusto and affection. Sirs Melvyn Bragg and Richard Eyre
acknowledged their long and sometimes tricky relationships with the uncompromisingly socialist Bard from
Leeds. A superior class of gatecrasher turned up in the charismatic form of Sir Tom Stoppard, who also joined our delicious feast, laid on for Tony by my admirable colleagues in
the Centre for Hellenic Studies at King’s College London.
I
was already walking on air when we gathered at the British Academy on Thursday,
after listening to Tony’s latest play, Iphigenia in Crimea, directed by conference guest Emma Harding, and a documentary about his work. They were both broadcast on
BBC last Sunday and are still available.
Having him with us throughout the entire event was a surprise pleasure. A selection of his prose works, which I’ve edited (and
supplied a Foreword of which you can read a version of here) is published this week. He'll be discussing it with me at a ticketed do on 24th May at Faber's London HQ.
Kicking Off Events on Thursday |
Tony's spending his birthday today, Sunday 30th, doing what he does better than anyone—a public reading of some dazzling new poems at Salts Mills in West Yorkshire. He's found a new generation of fans
amongst the young (a conspicuous proportion of the attendees were in their twenties); he's Daniel Radcliffe’s favourite poet. His
theatre works have begun to enjoy a major revival, beginning with the brilliant
staging of Trackers of Oxyrhynchus by
Jimmy Walters’ Proud Haddock theatre company in January.
χρόνια πολλά! |
I'm sure the cosmic satyrs of the celestial spheres will join us all in singing Happy Birthday Tony! Please Continue Inspiring Us χαρούμενα γενέθλια!
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