It’s
been Phoenician-Carthaginian Week for me, culminating last night at the Proms in
a BBC debate on ancient mariners with archaeologist Sir Barry Cunliffe. Earlier I had talked about Carthage, the
mesmerising lost civilisation centred in Tunisia, to the cast of the upcoming
Royal Shakespeare Company production of Marlowe’s Dido Queen of Carthage, starring the charismatic Chipo Chung.
‘Everyone
knows’ that Dido was a Lebanese refugee whose project of founding Carthage (the
name means New Town) was jeopardised when she fell for the visiting Trojan
Aeneas. She was abandoned by him and committed suicide. Virgil says so in his Aeneid, after all.
Dido costume for Victorian Fancy Dress Party |
But
Virgil cynically framed Dido. He imposed parallels between the Roman conquest of Carthage
and Augustus’ victory over Cleopatra at Actium. The Carthaginians themselves
told a different tale. Their Dido, whom they knew as Elissa, was a she-hero who
led compatriots to freedom and sacrificed herself for them. No opportunistic
Trojan beau in sight.
Dido/Elissa’s
original tale, preserved in authors including the Sicilian historian Timaeus,
goes like this:
King
Mutto of Tyre had a son Pygmalion and a daughter Elissa to whom he bequeathed
joint rule of his realm. Pygmalion wanted to be sole tyrant. Coveting the
gold in the temple, he killed Elissa’s husband, the high priest. Elissa outwitted
her brother by pretending to put the gold into bags which were emptied into
the sea (they actually contained sand), made off in a ship with the money and
half the Phoenician Senate, picked up some wives for them in Cyprus, and
arrived in North Africa.
As Clever as she Was Brave: Dido Maximises her Land Grab |
From
the locals she bought as much land ‘as could be covered with an oxhide’. Cleverly, she cut the leather into narrow
strips and marked out an enormous perimeter.
Unfortunately, a neighbouring
Libyan leader named Hiarbas sought her hand in marriage. Under pressure from
her own people to accept, she chose to kill herself so that they would not become subject to him as their queen’s
husband and patriarch. With this self-sacrifice she secured the fierce autonomy
of the Carthage of magnificent generals Hamilcar and Hannibal for many centuries to come.
The Great City which Dido Founded |
I
love Marlowe. This production comes highly recommended. It has an outstanding
director in Kimberley Sykes, a charming, plausible, Scottish Aeneas in Sandy
Grierson and a moving, empathetic Daniel York as Iarbas. But it’s high time a 21st-century playwright dramatized the Carthaginians’ indigenous story of their exemplary Founding Mother.
The Romans need to butt out at last from Dido’s inspiring quest epic.