Manual for Women Bishops |
Monday felt like a good day for the ancient history of women past their youth who exert societal influence. I was thrilled to be Chris Evans’ ‘Mystery Guest’ on BBC Radio 2, invited to explain the identity of the ’16 Vestal Virgins’ in Procol Harum’s classic song ‘Whiter Shade of Pale’. I wish I'd had time to add that ‘procol harum’ is an approximate and mis-spelt (procul would be correct) Latin
translation of the 1960s slogan FAR OUT.
To inflame further my enthusiasm for ancient priestly women,
I received advance copies of my labour-of-love Adventures with Iphigenia in Tauris (OUP New York), a book-length
harangue about the most important priestess--ever--of the girl-goddess Artemis/Diana.
Forget it, girls. |
But on Tuesday, alas, uppity females aspiring to leadership got their usual come- uppance. The Church of England voted to exclude women from even
diocese-level authority. This took me right back to my Anglican childhood when
I was told I couldn’t sing in the church choir because, as a girl, my voice was
‘impure’. Tell that to ancient female choruses for Artemis.
Poster for Trojan Women currently at the Gate |
The same evening I got even more depressed about the current
state of women in civic and spiritual leadership, at a largely excellent
adaptation of Euripides’ Trojan Women in
London (the Gate Theatre, Notting Hill). Acidic, fresh, and animated, the (fine
poet) Caroline Bird’s (wholly unpoetic) script made great arguments in support
of teenage girls, psychotic females, and young mothers perinatally. But it collapsed
completely in feminist terms when it came to Hecuba. She was dumbed down, lost all her authority, turned into a total snob and made insensitive to her daughter and daughter-in-law.
In the original, Euripidean Trojan
Women, however, Hecuba offers THE SOLE ROLE IN WORLD THEATRE UNTIL
BRECHT (notwithstanding Ibsen) where a non-villainous female is given the psychological stature and eloquence
equivalent to e.g. Shakespeare’s Lear. Full stop.
End of. Treat her with respect!
Hollywood blacklists Hecuba |
I still have not recovered from Wolfgang Petersen’s
bewildering decision to delete altogether the unforgettable Iliadic Hecuba from his Brad-Pitt-Fest Troy (2005): Peter O'Toole, as a mysteriously single King Priam, was left pathetically 'throne alone'.
So when it comes to Hecuba’s other great literary manifestation, in Euripides’ darkest tragedy, as the magnificent, bereaved leader of Troy in its last hours and last rituals, please could young feminists be careful? Do we really want to take all the tragic heroism out of the only middle-aged woman that ancient Mediterranean literature ever took with any degree of seriousness? I understand and sympathise with all young Amazons' need to Kill the Mother, but it was the Fathers, surely, who were and still are really responsible for destroying Troy?
So when it comes to Hecuba’s other great literary manifestation, in Euripides’ darkest tragedy, as the magnificent, bereaved leader of Troy in its last hours and last rituals, please could young feminists be careful? Do we really want to take all the tragic heroism out of the only middle-aged woman that ancient Mediterranean literature ever took with any degree of seriousness? I understand and sympathise with all young Amazons' need to Kill the Mother, but it was the Fathers, surely, who were and still are really responsible for destroying Troy?