The Edithorial

Sunday, 23 February 2025

Location Filming on Women Gladiators

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  A few weeks ago, Barney Rowe , a brilliant young TV producer specializing in factual history, asked if I could join his team at Tomos TV w...
Sunday, 26 January 2025

My Telegraph article on Gladiators in Britain

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  The brutal reality of gladiators in Roman Britain Headless skeletons, feral bears and female fighters – a new British Museum show revolu...
Friday, 13 December 2024

A Week in Classics: Progress, Celebration and Grief

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What a week that was. Forgetting that my surgeon told me last year I had to slow down, on Tuesday we wound up our pilot course, attached to ...
Saturday, 9 November 2024

Classics, Class and ‘Class. Civ.’ Qualifications in the 21st Century

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  On Thursday I was excited to deliver the inaugurating lecture of the new Leeds University Centre for Ancient World and Classical Reception...
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Saturday, 26 October 2024

How Low Will Clytemnestra Go? On Editing Aeschylus

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  My edition of Aeschylus’ Agamemnon has finally been published, and I’m relieved to say that the paperback edition is currently priced a...
Monday, 23 September 2024

Inaugural Durham Prize in Classical Reception 2024

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  The results are in! Dr Caroline Barron, Director of the Durham Centre in Classical Reception , has made them public. The panel of judges,...
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Edith Hall
Durham University Classics Prof./cultural historian keen on Aristotle, visual art, Greek theatre/pots, labour/anti-racist history, Parthenon reunification.
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